The end of internet radio?

File this one under "golden eggs: goose killing of"

Maybe. I hope not, but it may be the end to some of my online music fave raves, including Pandora and Yahoo Live 365 (which I'm listening to now through our TiVo), and possibly even (gasp!) no more Theme Time Radio Hour available through the internet.

I've contemplated starting a Live 365 station, even as bad a deejay as I am, but this would put the spike in that, too.

“Left unchanged, it’s over for us and every other internet radio service, period. Makes it un-viable,” Pandora co-founder Tim Westergren wrote in an email. “We’re staying online because we’re hopeful that sanity will eventually win out. This is a ludicrous ruling.”

Till recently, the royalty rate was about 7/100th of a penny per performance, allowing many small webcasters to thrive and build sizeable audiences. At 14-15 songs per hour, it worked out to about penny an hour – one of the main reasons why Yahoo could offer music-streaming services at affordable prices.

However, now the equation has changed – the royalty rates will increase every year through 2010 when it is going to cost about $0.0019 per performance. While not much when taken as a single performance, the amount does add up if you are a company that streams millions of performances per day. (The details of the new arrangement are very well explained on this website.)

Link

1984 all over again

via the Huff-Po. I suspect this won't be up for long, so watch while you can. According to Josh Marshall at Talking Points Memo, the video was made by a Barack Obama supporter and not a member of his campaign. And no, this isn't an fhb endorsement of Obama vs. Clinton. I'm just amused - and intrigued - by how much technology coming into play in this campaign, or pre-campaign, or whatever the hell it is...

Feces Spewing Obscenity 1 Edwards 0

via Wired via the John Edwards' blog.

From the original posting:

John Edwards Second Life HQ vandalized.

"Shortly before midnight (CST) on Monday, February 26, a group of republican Second Life users, some sporting "Bush '08" tags, vandalized the John Edwards Second Life HQ. They plastered the area with Marxist/Lenninist posters and slogans, a feces spewing obsenity[sic], and a photoshopped picture of John in blackface, all the while harrassing visitors with right-wing nonsense and obsenity [sic]-laden abuse of Democrats in general and John in particular. I witnessed this event, taking names and photos, including the owners of the pictures. I also kept and saved a copy of the chat log. I have filed an abuse report with Linden Labs, and am awaiting their investigation."

If you scroll through the the comments from the Edwards' blog posting, you'll find that some bored Second Life pranksters - I'd guess more spiritually akin to anarchists than Republicans - are claiming responsibility. Expect to see stuff like this throughout the campaign, as generally clueless political media and PR-types try to leverage technology they don't understand. Note to Edwards' peeps: Next time read the docs on preventing vandalism, as the rep. from Linden Labs also points out in the comments. It's the only way to stay ahead of those feces-spouting obscenities.

American Life in Poetry: Column 101

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Those big cherry flavored wax lips that my friends and I used to buy when I was a boy, well, how could I resist this poem by Cynthia Rylant of Oregon?


Wax Lips

Todd's Hardware was dust and a monkey--
a real one, on the second floor--
and Mrs. Todd there behind the glass cases.
We stepped over buckets of nails and lawnmowers
to get to the candy counter in the back,
and pointed at the red wax lips,
and Mary Janes,
and straws full of purple sugar.
Said goodbye to Mrs. Todd, she white-faced and silent,
and walked the streets of Beaver,
our teeth sunk hard in the wax,
and big red lips worth kissing.


"Wax Lips" by Cynthia Rylant from WAITING TO WALTZ. Copyright (c) 2001 by Cynthia Rylant. Reprinted with permission of the author, whose most recent book of poetry is "Ludie's Life," Harcourt, 2006. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. For information on permissions and usage, or to download a PDF version of the column, visit www.americanlifeinpoetry.org.

American Life in Poetry: Column 100

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Here the Maine poet, Wesley McNair, offers us a vivid description of a man who has lived beyond himself. I'd guess you won't easily forget this sad old man in his apron with his tray of cheese.


The One I Think of Now

At the end of my stepfather's life
when his anger was gone,
and the saplings of his failed
nursery had grown into trees,
my newly feminist mother had him
in the kitchen to pay for all
those years he only did the carving.
"You know where that is,"
she would say as he looked
for a knife to cut the cheese
and a tray to serve it with,
his apron wide as a dress
above his workboots, confused
as a girl. He is the one I think of now,
lifting the tray for my family,
the guests, until at last he comes
to me. And I, no less confused,
look down from his hurt eyes as if
there were nothing between us
except an arrangement of cheese,
and not this bafflement, these
almost tender hands that once
swung hammers and drove machines
and insisted that I learn to be a man.


American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska, Lincoln. Poem copyright (c) 2002 by Wesley McNair, whose most recent book is "The Ghosts of You and Me," David R. Godine, 2006. Reprinted from "Fire: Poems," published by David R. Godine, 2002, by permission of the author. Introduction copyright (c) 2006 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006.

Just Because I Can: Part 2

... in an ongoing effort to convince Maudie I need a vacay (congrats on the Mookie win, btw!)

Just because I can

New blog from poet Andrei Guruianu

Andrei Guruianu, whose poem "Grandfather," I really liked recently left a comment noting that he's started up his blog at www.andreiguruianu.com.

Well worth the visit if you like engaging, thoughtful poetry.

Delegate Wants to Ban Vehicle Displays of Plastic Genitals

One of those "never heard of it, and then they're everywhere things." I first heard about this on NPR Friday. Peggy and I saw our first, ah, pair, on our way home from Newport yesterday, and this pops up in my news feed.

Maryland Del. LeRoy E. Myers Jr. to truckers: If you've got 'em, you don't need to flaunt 'em.

As the General Assembly debates global warming and the death penalty, Myers (R-Washington) has something else on his mind: the outsized plastic testicles that truckers dangle from the trailer hitches of their pickups.

via the Washington Post

Countdown At the Movies

Cross-promotion time again. My latest gather column is up. A free taste (to get you hooked)...

We're doing a musical movie countdown this week in honor of the 79th Academy Awards, coming to a TV screen near you this Sunday, the 25th.

As it's too easy to include musicals with great music - from Singing in the Rain to Hair, I excluded them from this list of movie songs and music that plays on an extended engagement in my Theater of Memory.

10. "Que Sera, Sera (Whatever Will Be, Will Be)" - from The Man Who Knew Too Much (1956)

Featured in Alfred Hitchcock's 1956 remake of his 1934 original, and sung by Doris Day. "Que Sera, Sera" received the 1956 Academy Award for Best Original Song. It was the third Oscar in this category for songwriters Jay Livingston and Ray Evans.

The song has an interesting history, considering that Hitchcock initially didn't want Doris Day (she was a part of a package deal in order for Hitchcock to secure the services of Jimmy Stewart) and didn't want a song for the movie, even though the studio was pressing him to use something to feature Day's voice.

Hitchcock figured out how to get a song in the movie - in fact, it became a key plot element - and changed his opinion about Day, who he later said did a fine job. He commissioned Livingston and Evans to write something that "had a foreign title" and was to be "sung to a little boy." The two had recently seen the Ava Gardner film, The Barefoot Contessa, where the character played by Rossano Brazzi had the family motto "Che Sera, Sera." Evans and Livingston switched the Italian "Che" to "Que," apparently feeling that Spanish was more accessible in the U.S. than Italian, and came up with the lyrics.

Continuing the comedy of errors, Doris Day was not at all thrilled by the prospect of singing "Que Sera Sera." In fact, she refused to record it, until ultimately bowing from pressure by Paramount. Reportedly, she did the song in one take and walked out of the studio saying, "That's the last time you'll ever hear that."

Of course, the song became a signature piece for Day, who would use it as the theme for her television sitcom series, and sing snippets of it in several of her other movies, including Please Don't Eat the Daisies and The Glass-Bottom Boat.

Sources: Google Answers; Wikipedia

9. Theme from per un Pugno di Dollari (A Fistful of Dollars) - Ennio Morricone (as Dan Savio) (1964)

Da-da-da-dah! WAH WAH WAH! Hired by Leone for Per un pugno di dollari on the strength of some of his song arrangements, Morricone would revolutionize how Westerns sounded, just as Leone would bend the Western movie genre totally out of shape. The soundtrack's exceedingly strange instrumentation included bells, electric guitars, harmonicas, and a jew's harp, and would be repeated with variations in the two succeeding Man with No Name movies.

Source: IMDB

The full list is right here.

The Return of Muffin

via "Bertsie from Washington"

An exhaustive - and exhausting - "Trouble in Vegas" game/trip report for the Hodag Ultimate Team can be found here, written by the indefatigable Muffin, who has apparently never met a paragraph break he liked.

At this point the Hodags freaked out and with Scallet getting D’s in the air all over the place and Even Klane bombing forehands, we steal half 7-3.

I'm not sure what "Ds all over the air" are exactly, but assume it's good. I think Florida also won over Wisconsin, even though Wisconsin "nutted up, forcing Universe" which sounds painful. But on to Baton Rouge for that prize money. Go HoDags!

And lil White Balls with Dimples in Dreamtime

In honor of Theme Time's Host's recent purchase in Scotland, Dreamtime plays at "Theme Time," with an extra-long 29-minute episode featuring music, jokes, email, and commentary all related to the theme, "Golf."

Episode 30 - A Good Walk Spoiled

Sirius, XM Announce Intent to Merge

PW (not my PW, but "Popular Wisdom," which seldom is) has it that this is unlikely to happen, but I hope in this case PW is wrong...

PRESS RELEASE — XM Satellite Radio (Nasdaq: XMSR - News) and SIRIUS Satellite Radio (Nasdaq: SIRI - News) today announced that they have entered into a definitive agreement, under which the companies will be combined in a tax-free, all-stock merger of equals with a combined enterprise value of approximately $13 billion, which includes net debt of approximately $1.6 billion.

Under the terms of the agreement, XM shareholders will receive a fixed exchange ratio of 4.6 shares of SIRIUS common stock for each share of XM they own. XM and SIRIUS shareholders will each own approximately 50 percent of the combined company.

Mel Karmazin, currently Chief Executive Officer of SIRIUS, will become Chief Executive Officer of the combined company and Gary Parsons, currently Chairman of XM, will become Chairman of the combined company. The new company’s board of directors will consist of 12 directors, including Messrs. Karmazin and Parsons, four independent members designated by each company, as well as one representative from each of General Motors and American Honda. Hugh Panero, the Chief Executive Officer of XM, will continue in his current role until the anticipated close of the merger.

The combined company will benefit from a highly experienced management team from both companies with extensive industry knowledge in radio, media, consumer electronics, OEM engineering and technology. Further management appointments will be announced prior to closing. The companies will continue to operate independently until the transaction is completed and will work together to determine the combined company’s corporate name and headquarters location prior to closing.

The combination creates a nationwide audio entertainment provider with combined 2006 revenues of approximately $1.5 billion based on analysts’ consensus estimates. Today the companies have approximately 14 million combined subscribers. Together, SIRIUS and XM will create a stronger platform for future innovation within the audio entertainment industry and will provide significant benefits to all constituencies, including:

* Greater Programming and Content Choices — The combined company is
committed to consumer choice, including offering consumers the ability
to pick and choose the channels and content they want on a more a la
carte basis. The combined company will also provide consumers with a
broader selection of content, including a wide range of commercial-free
music channels, exclusive and non-exclusive sports coverage, news,
talk, and entertainment programming. Together, XM and SIRIUS will be
able to improve on products such as real-time traffic and rear-seat
video and introduce new ones such as advanced data services including
enhanced traffic, weather and infotainment offerings.

* Accelerated Technological Innovation — The merger will enable the
combined company to develop and introduce a wider range of lower cost,
easy-to-use, and multi-functional devices through efficiencies in chip
set and radio design and procurement. Such innovation is essential to
remaining competitive in the consumer electronics-driven world of audio
entertainment.

* Benefits to OEM and Retail Partners — The combined company will offer
automakers and retailers the opportunity to provide a broader content
offering to their customers. Consumer electronics retailers, including
Best Buy, Circuit City, RadioShack, Wal-Mart and others, will benefit
from enhanced product offerings that should allow satellite radio to
compete more effectively.

* Enhanced Financial Performance — This transaction will enhance the
long-term financial success of satellite radio by allowing the combined
company to better manage its costs through sales and marketing and
subscriber acquisition efficiencies, satellite fleet synergies, combined
R&D and other benefits from economies of scale. Wall Street equity
analysts have published estimates of the present value of cost synergies
ranging from $3 billion to $7 billion.

* More Competitive Audio Entertainment Provider — The combination of an
enhanced programming lineup with improved technology, distribution and
financials will better position satellite radio to compete for
consumers’ attention and entertainment dollars against a host of
products and services in the highly competitive and rapidly evolving
audio entertainment marketplace. In addition to existing competition
from free “over-the-air” AM and FM radio as well as iPods and mobile
phone streaming, satellite radio will face new challenges from the rapid
growth of HD Radio, Internet radio and next generation wireless
technologies.

“We are excited for the many opportunities that an XM and SIRIUS combination will provide consumers,” said Gary Parsons, Chairman of XM Satellite Radio and Hugh Panero, CEO of XM Satellite Radio, in a joint statement. “The combined company will be better positioned to compete effectively with the continually expanding array of entertainment alternatives that consumers have embraced since the Federal Communications Commission (FCC) first granted our satellite radio licenses a decade ago.”

“This combination is the next logical step in the evolution of audio entertainment,” said Mel Karmazin, CEO of SIRIUS Satellite Radio. “Together, our best-in-class management team and programming content will create unprecedented choice for consumers, while creating long-term value for shareholders of both companies. The combined company will be positioned to capitalize on SIRIUS and XM’s complementary distribution and licensing agreements to enhance availability of satellite radios, offer expanded content to subscribers, drive increased advertising revenue and reduce expenses. Each of our companies has a strong commitment to providing listeners the broadest range of music, news, sports and entertainment and the best customer service possible. We look forward to sharing the benefits of the exciting new growth opportunities this combination will provide with all of our stakeholders.”

The transaction is subject to approval by both companies’ shareholders, the satisfaction of customary closing conditions and regulatory review and approvals, including antitrust agencies and the FCC. Pending regulatory approval, the companies expect the transaction to be completed by the end of 2007.

SIRIUS’s financial advisor on the transaction is Morgan Stanley and Simpson Thacher & Bartlett LLP and Wiley Rein LLP are acting as legal counsel. XM’s financial advisor on the transaction is J.P. Morgan Securities Inc. and Skadden Arps, Slate, Meagher & Flom LLP; Jones Day; and Latham & Watkins LLP are acting as legal counsel.

Conference Call and Webcast Information

The companies will hold a joint conference call and webcast on Tuesday, February 20, 2007 at 8:30 AM ET to discuss this announcement. The conference call can be monitored by dialing 800-573-4840 within the U.S. and 617-224-4326 for all other locations, passcode 29490052. The webcast can be accessed at http://www.sirius.com and http://www.xmradio.com as well as on their satellite radio services by tuning to SIRIUS channel 122 and XM channel 200. The webcast will be archived at http://www.sirius.com and http://www.xmradio.com.

Fred on Gather

I have so many cross-promotions going, it's getting hard to keep track of them all. :-)

But for those of you who have asked, here's the link to my Gather page, where you can keep up on my weekly column, Music You Never Forget, as well as other postings. If you're a die hard Fred fan, you can even join Gather and click on that little "Connect" button you'll find in the left column, and then get email updates whenever I post something "new."

"New" is in quotes because at least one reader expressed disappointment that I've been reworking several articles that originally appeared either in fhb or Dreamtime. And, that's true, but considering the size of my audience in both blogs, I figure I can get away with pushing re-runs out to a larger readership. Constant Readers - that would be you, O husband of Joyride - will be happy to know that yesterday's column, Somebody Say a Prayer, is brand-spanking new, although I just cross-posted a version to Dreamtime.

Between Dreamtime and Gather, I'm now writing the equivalent of two weekly columns, as well as regular posts on fhb, and let us say, only getting fully reimbursed in the spiritual sense for my efforts. But, by God, I'm having fun, and who can ask for more?

American Life in Poetry: Column 099

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

My maternal grandparents got their drinking water from a well in the yard, and my disabled uncle carried it sloshing to the house, one bucket of hard red water early every morning. I couldn't resist sharing this lovely little poem by Minnesota poet, Sharon Chmielarz. For information on permissions and usage, or to download a PDF version of the column, visit www.americanlifeinpoetry.org.


New Water

All those years--almost a hundred--
the farm had hard water.
Hard orange. Buckets lined in orange.
Sink and tub and toilet, too,
once they got running water.
And now, in less than a lifetime,
just by changing the well's location,
in the same yard, mind you,
the water's soft, clear, delicious to drink.
All those years to shake your head over.
Look how sweet life has become;
you can see it in the couple who live here,
their calmness as they sit at their table,
the beauty as they offer you new water to drink.


Reprinted by permission of Sharon Chmielarz, whose most recent collection of poems is "The Rhubarb King," Loonfeather Press, 2006. Copyright (c) 2006 by Sharon Chmielarz. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln.

In memoriam

better late than never. via WFMU's "Beware of the Blog"

Fox News has the best line: "Local streets were closed off to rush Smith to the hospital, three miles away. Paramedics were seen pumping her chest as she was taken from the hotel."

I keep insisting to Peggy that I'm the father, but she refuses to listen.

Maltese Falcon swiped from SF restaurant

via the Sf Chronicle:

(02-12) 16:46 PST -- It's been nearly 80 years since Sam Spade wandered the streets of San Francisco in search of the Maltese Falcon. Now, the statue is missing again.

John Konstin, the owner of San Francisco's John's Grill on Ellis Street, said someone broke into a locked cabinet on the second floor of his establishment and took a signed reproduction of the Maltese Falcon -- one used for publicity stills for the movie -- along with several vintage and signed books by and about Maltese Falcon author Dashiell Hammett.

Konstin said the theft was noticed Saturday afternoon. He guesses the theft took place sometime late Friday night or in the early morning hours of Saturday.

The black statue was signed by actor Elisha Cook Jr., a San Franciscan who played the role of Wilmer the Gunsel in the movie. He presented it to the restaurant after Konstin and San Francisco private investigator Jack Immendorf failed in their attempt to buy the original bird that was used in the movie.

Police have been summoned to the scene of the broken cabinet on the second floor of the restaurant, and Konstin has offered a $25,000 reward for return of the statue and books.

More on the Tivo/Amazon deal

Mark Evanier has some interesting thoughts on the TiVo/Amazon joint venture I blogged last week.

What do we think of this? We think it's interesting and inevitable. We also think it's going to be the subject of at least one of the nastiest labor negotiations — and probably, strikes — that Hollywood has ever seen. The Writers Guild wants a piece of digital delivery. The Screen Actors Guild wants a piece. And even the Directors Guild — that wouldn't strike if the studios made directors all wear frog costumes and hop around the set — is talking labor stoppage. (If the DGA stays true to history, they won't strike. What they'll do is make some sort of deal which, by its very construction, creates a payment system that works for directors but doesn't work for writers or actors. The studios will agree to it and then try to force it on the other two unions as a precedent.)

And over at Dreamtime - Episode 29 - Please Don't Go Topless, Mother

I'm off-topic with this episode, since Theme Time hasn't played anything sung by Troy or Bennie Hess. But, if Dylan hadn't mentioned Eddie Noack's "Psycho," I would have never discovered the God Less America compilation and would never have found this song. And as with most - if not all- songs, there's a great story behind it.

Also, a special guest appearance by Jailbait's older sister, Jailbird Joyride Jones.

American Life in Poetry: Column 098

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

A horse's head is big, and the closer you get to it, the bigger it gets. Here is the Idaho poet, Robert Wrigley, offering us a horse's head, up close, and covering a horse's character, too.


Kissing a Horse

Of the two spoiled, barn-sour geldings
we owned that year, it was Red--
skittish and prone to explode
even at fourteen years--who'd let me
hold to my face his own: the massive labyrinthine
caverns of the nostrils, the broad plain
up the head to the eyes. He'd let me stroke
his coarse chin whiskers and take
his soft meaty underlip
in my hands, press my man's carnivorous
kiss to his grass-nipping upper half of one, just
so that I could smell
the long way his breath had come from the rain
and the sun, the lungs and the heart,
from a world that meant no harm.


Reprinted from "Earthly Meditations: New and Selected Poems," published in 2006 by Penguin. Copyright (c) Robert Wrigley, 2006, and reprinted by permission of the author. This weekly column is supported by The Poetry Foundation, The Library of Congress, and the Department of English at the University of Nebraska-Lincoln. For information on permissions and usage, or to download a PDF version of the column, visit www.americanlifeinpoetry.org.